A Digital Feature Series for SBS NITV

Kawal

Yidindji for "Calling Out"

An intimate, audio-led digital experience profiling the Song Men and Song Women of this continent.

"The Western world is obsessed with the visual. We want to be heard."

Listen to Country

The Creative Philosophy

Audio First

Most digital features use text as primary and images as secondary. Kawal disrupts this hierarchy.

Intimacy over Spectacle

Video requires performance. Audio recording is less intrusive, allowing more intimate, unguarded storytelling in the artist's own home or on Country.

The Power of Orality

Aboriginal and Torres Strait Islander cultures are oral cultures. By prioritising audio, we respect the traditional transmission of knowledge — Songlines are meant to be heard.

Deep Listening

The user interface encourages a slower pace. The text is the guide, but the audio is the destination. Close your eyes and listen to the calling out.

The Artists

Song Men for All Seasons

These are the voices Kawal will capture. Living custodians of song traditions that stretch back millennia — still singing, still teaching, still calling out.

Uncle Peter Hyde

Uncle Peter Hyde

Yidindji Song Man

A song man for all seasons. Uncle Peter carries the old songs and the new — from traditional ceremony to the church hymns that sustained communities through the mission era. His guitar is never far from reach.

Photo: John Janson Moore

David Mundraby

David Mundraby

Cultural Practitioner

Clapsticks in hand, on Country. David represents the unbroken line of cultural practice — the songs that accompany ceremony, mark the seasons, and keep the law alive in community.

Photo: John Janson Moore

The Format

An Immersive Scroll

Each "Episode" is a standalone web feature hosted on the SBS NITV portal. While television captures the spectacle of dance, Kawal captures the spirit of the song.

The Audio

The Heartbeat

The primary driver of each feature. High-fidelity recordings that place the audience on Country with the artist.

Ambient Headers Embedded Song Tracks Spoken Word in Language Soundscapes of Country
The Text

1000 Words

A rich, journalistic profile of the practitioner. Their history, the origin of their songs, the responsibility of holding those songs, and the current state of their community.

Long-form Journalism English & Language Artist's Own Voice
The Visuals

5–10 High-Resolution Images

Portraiture and landscapes. Less "action" shots, more stillness and presence. The visual language supports the audio, not the other way around.

Portraiture Country Landscapes Stillness & Presence

Season One

The Roadmap

The pilot season focuses on the rich cultural corridor of Far North Queensland and the Gulf Country.

Cape York & Gulf Country N
Injinoo
Lockhart River
Aurukun
Pormpuraaw
Kowanyama
Mornington Is
Mossman
Gimuy
Yarrabah

Gimuy (Cairns)

The Host Nation — Pilot Episode

Where the rainforest meets the reef. Home to the Yidindji people, this is the gateway to the Cape and the starting point of our journey. Here, the songs of the high ridges and the deep scrub remind the bustling city that it sits on ancient, sovereign ground.

Yarrabah

The Mission Days

An hour east of Gimuy, Yarrabah is a testament to survival. Once an Anglican mission where diverse tribes were brought together, it is now a powerhouse of cultural resilience. The songs here carry the history of displacement, adaptation, and the enduring strength of the Gunggandji and Mandingalbay Yidindji peoples.

Mossman

The Rainforest People — Kuku Yalanji

Deep in the Wet Tropics, the Kuku Yalanji people are the custodians of the Daintree. Their songs are woven into the bubbling creeks and the dense canopy. This is country where the connection between the Bama (people) and the environment is sung into existence every day.

Aurukun

The Wik Way

Situated on the north-west coast of Cape York, Aurukun is renowned for its fierce cultural pride. The Wik and Wik Way peoples hold complex songlines that govern kinship and law. Here, the vocals are distinct—often intense and rhythmic—reflecting the strong currents of the Archer, Watson, and Ward rivers.

Pormpuraaw

The West Coast

Further south on the Gulf of Carpentaria, Pormpuraaw is the home of the Thaayorre and Mungkan communities. Known for their ghost net art and connection to the saltwater, the songs here tell stories of the crocodile, the barramundi, and the shifting tides of the Gulf.

Kowanyama

Place of Many Waters

This community lies on the delta of the Mitchell River. It is a meeting place of the Kokoberra, Yir Yoront, and Kunjen peoples. The songs of Kowanyama are river songs—fluid and powerful—carrying the stories of the wet season floods and the abundance of the dry season.

Lockhart River

The East Coast Sandbeach

On the eastern peninsula, surrounded by the Iron Range National Park, lies Lockhart River. This is "Sandbeach" country. The music here is a dynamic blend of ancient chant and contemporary expression, influenced by the Kuuku Ya'u and Umpila peoples' deep relationship with the sea and the trade winds.

Injinoo

The Northern Tip

At the very top of the peninsula, Injinoo is one of the five communities of the Northern Peninsula Area (NPA). It is the spiritual home of the Anggamuthi and Gudang peoples. The songs here are unique, looking north across the straits, bridging the cultures of the Aboriginal mainland and the Torres Strait Islands.

Mornington Island

The Gulf Islanders

Isolated in the Gulf of Carpentaria, the Lardil, Yangkaal, Kaiadilt, and Gangalidda peoples maintain a vibrant song and dance culture. Their warnayarra (songs) are inextricably linked to the sea, the stars, and the hunting traditions that have sustained them on these islands for millennia.

The Creative Team

Led by Country

Bumi Gimuybara

Cultural Advisor

Bumi Gimuybara

Yidindji Elder, Gimuy

A senior lawman and keeper of Yidindji song traditions. Bumi provides cultural authority and ensures the project honours the protocols of each community we visit.

Photo: John Janson Moore

Jeremy 'Thoyo' Geia

Writer / Producer

Jeremy 'Thoyo' Geia

Wik-speaking man, Cape York

Thoyo brings deep connections to Country and language. His leadership ensures Kawal is built on cultural safety and authentic First Nations perspective, with direct relationships to the communities profiled.

Photo: John Janson Moore

Production Methodology

Small Footprint, Big Sound

To ensure cultural safety and intimacy, the production footprint will be minimal.

Crew

2 people maximum per trip:

  • Writer / Producer
  • Photographer / Sound Recordist

Equipment

Professional field recording:

  • Zoom F6 or Sound Devices
  • Shotgun microphones
  • DSLR for photography
  • Minimal lighting

Protocol

Cultural safety embedded:

  • All song IP remains with custodians
  • Clear ICIP agreements
  • Community approval before publication
  • Right of withdrawal at any stage

Timeline

Pilot production schedule:

  • Community consultation (ongoing)
  • Pilot recording (4 weeks)
  • Post-production (2 weeks)
  • Community review (2 weeks)

Strategic Alignment

Why SBS NITV?

Charter Imperative

This project fulfils the mandate to produce content that informs, educates, and entertains while preserving culture. Kawal documents living cultural practice, not museum artefacts.

Digital Innovation

Moves beyond standard "Catch-up TV" content, creating "sticky" web content that keeps users on the SBS site for longer periods. High engagement time, low production cost.

Educational Value

These profiles will serve as a permanent archive of living Song Men and Women, valuable for schools, universities, and language revitalisation programs.

Scalability

Season One focuses on Far North Queensland and the Gulf. The format is designed to expand nationally — every region of Australia has Song Men and Song Women calling out.

SBS NITV Pitch Document

Executive Summary

Kawal: Calling Out

Project Overview

Project Type

Multi-Platform Digital Feature Series

Format

Immersive Long-form Articles / Audio

Language

English & Traditional Languages

Season 1 Region

Far North Queensland & The Gulf

The Core Concept

Kawal is an intimate online series profiling the Song Men and Song Women of this continent. While television captures the spectacle of dance, Kawal seeks to capture the spirit of the song. This series is an audio-led digital experience — high-quality long-read features accompanied by world-class photography, but the primary driver is sound.

Why Now?

Aboriginal and Torres Strait Islander cultures are oral cultures. By prioritising audio, we respect the traditional transmission of knowledge — Songlines are meant to be heard, not just read about. The format offers SBS NITV a genuinely innovative digital product that moves beyond catch-up TV into immersive, "sticky" web content.

Next Steps for Development

1

Consultation

Confirm participation with identified Elders and cultural practitioners in target communities.

2

The Pilot

Produce the Gimuy feature as a "Proof of Concept" — pilot recording (1 week), post-production (2 weeks), artist review (2 weeks).

Get in Touch

Partnership Enquiries

Interested in supporting Kawal or learning more about the project? We'd love to hear from you.

Thank You

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